{"id":255,"date":"2021-01-09T05:17:52","date_gmt":"2021-01-09T05:17:52","guid":{"rendered":"https:\/\/artlesscalamity.com\/?p=255"},"modified":"2021-01-09T05:17:52","modified_gmt":"2021-01-09T05:17:52","slug":"displacement-horror-his-house","status":"publish","type":"post","link":"https:\/\/artlesscalamity.com\/?p=255","title":{"rendered":"displacement Horror: His House"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"840\" height=\"472\" src=\"https:\/\/artlesscalamity.com\/wp-content\/uploads\/2021\/01\/hishouse-1.jpg\" alt=\"\" class=\"wp-image-257\" srcset=\"https:\/\/artlesscalamity.com\/wp-content\/uploads\/2021\/01\/hishouse-1.jpg 840w, https:\/\/artlesscalamity.com\/wp-content\/uploads\/2021\/01\/hishouse-1-300x169.jpg 300w, https:\/\/artlesscalamity.com\/wp-content\/uploads\/2021\/01\/hishouse-1-768x432.jpg 768w, https:\/\/artlesscalamity.com\/wp-content\/uploads\/2021\/01\/hishouse-1-740x416.jpg 740w, https:\/\/artlesscalamity.com\/wp-content\/uploads\/2021\/01\/hishouse-1-400x225.jpg 400w\" sizes=\"auto, (max-width: 840px) 100vw, 840px\" \/><figcaption>Wunmi Mosaku&#8217;s strong, evocative performance helps to drive the film&#8217;s complex themes<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">It is very, <em>very <\/em>hard to make a horror film that balances originality, immersion, genuine terror and a compelling message. <em>His House<\/em>, from first-time director Remi Weekes, is not a perfect movie, but it pulls off this balance while offering the genre an entirely new vision. The film follows a Sudanese husband and wife who seek asylum in London. Right there we begin with a modern, relevant, and provocative premise. The immigrant couple struggles to navigate this new world while also contending with a sinister force haunting their new home. The atmospheres are effective and there is an absolutely brilliant layer of meaning to the entire film, which we won&#8217;t go into here but delivers an ending that will generate plenty of thoughtful discussion. This is also one of the first movies I&#8217;ve seen in a long time that surprised me with a plot twist! Like I said, making good horror is not easy, and Weekes deserves plenty of praise.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Horror is all about placing characters in tense, dangerous, unpredictable situations, and often this is done by planting them in an unfamiliar environment. This &#8220;fish out of water&#8221; motif is well-trodden: think of classics like <em>Evil Dead<\/em>, <em>Texas Chainsaw Massacr<\/em>e, <em>Wicker Man<\/em>, or the more recent <em>Get Out<\/em> and <em>Midsommar<\/em>. Part of the horror is being in a new place where the characters don&#8217;t know what to expect. Now transfer that motif to a loaded and important contemporary topic like immigration, especially refugee immigration, and you hit upon a truly original and highly sympathetic premise. But don&#8217;t misunderstand me: this is not a &#8216;political&#8217; film, per se. It&#8217;s simply a human film. It&#8217;s about the obstacles we never expected, the choices we make, and the baggage we carry with us, forever.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It is very, very hard to make a horror film that balances originality, immersion, genuine terror and a compelling message. His House, from first-time director Remi Weekes, is not a perfect movie, but it pulls off this balance while offering the genre an entirely new vision. The film follows a Sudanese husband and wife who&hellip; <a class=\"more-link\" href=\"https:\/\/artlesscalamity.com\/?p=255\">Continue reading &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[2],"tags":[13,19,21,20,22],"class_list":["post-255","post","type-post","status-publish","format-standard","hentry","category-film","tag-film","tag-horror","tag-immigration","tag-movies","tag-netflix"],"_links":{"self":[{"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=\/wp\/v2\/posts\/255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=255"}],"version-history":[{"count":1,"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=\/wp\/v2\/posts\/255\/revisions"}],"predecessor-version":[{"id":258,"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=\/wp\/v2\/posts\/255\/revisions\/258"}],"wp:attachment":[{"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artlesscalamity.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}